
On view January 30 through April 25, Tsunami is a deeply personal and
visually arresting 36-piece mixed-media series by Tracy Ann Simmonds that
transforms predatory lending mail, house paint, braided hair, pearls, and
other recycled materials into layered works about waste, identity, and
resilience. What began as anxiety over the flood of junk mail — more than
100 billion pieces annually in the U.S. — and the weight of creative and
emotional labor during the pandemic became a space for processing fear and
change through imagery inspired by tsunami dreams and the fluid line work
of Japanese masters. Tsunami uses shredded credit card mailers not just as
material, but as metaphor — turning detritus into vibrant surfaces that
explore sustainability, mental health, and the alchemy of art as healing.
Simmonds’ practice bridges photography, painting, installation, and
cultural storytelling; her gallery also features evocative bodies of work
like Euphoric Vistas: An Ode to Palm Beach, intimate nature photographs
created for hospital healing environments, and Botanical Intimacy, which
captures quiet floral moments woven into human experiences.
For the artist, Tsunami is more than a series — its potential as an
immersive installation with sculptural waves, soundscapes, and calming
light reflects her belief that art can be both a catalyst for reflection
and a balm for anxiety, inviting audiences to rethink consumption,
presence, and transformation.
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